| Pathways to the Past - Images |
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Summary of key points
- Images are essential sources of evidence about the past,
much underated by historians.
- Images can reveal unique aspects of
the past that texts cannot.
- Images come in many forms including
photographs, paintings, cartoons, sketches, posters,
postcards, illuminated addresses and engravings.
- Like any other evidence,
historians can read images with a critical eye.
- Paintings
are unique texts which give the historian valuable information
(about material culture, what people wore, technology,
what cities
looked
like); but they might also distort social reality
as much as reflect it.
- The way artists distort reality is evidence
of
their
personal identity, their ideologies and the mentalities
and preoccupations of their age.
- Image-makers have a tendency
to
idealise and satirise
the world they depict.
- Images can be more usefully
and reliably read if they are part of a series or collection.
- What
is
absent from an image can be as important as what
is depicted.
- Images can be read in multiple contexts:
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- What was their function and how has this changed?
- What is the biography of an image over its lifetime?
- How
has it performed as a rhetorical device? Was it
created at the time, or after the events it depicts?
- What were
the contemporary
artistic conventions relating to particular subject
matter?
- What were the interests of the patron or client?
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