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Pathways to the Past - Images
 

Summary of key points

  • Images are essential sources of evidence about the past, much underated by historians.

  • Images can reveal unique aspects of the past that texts cannot.

  • Images come in many forms including photographs, paintings, cartoons, sketches, posters, postcards, illuminated addresses and engravings.

  • Like any other evidence, historians can read images with a critical eye.

  • Paintings are unique texts which give the historian valuable information (about material culture, what people wore, technology, what cities looked like); but they might also distort social reality as much as reflect it.

  • The way artists distort reality is evidence of their personal identity, their ideologies and the mentalities and preoccupations of their age.

  • Image-makers have a tendency to idealise and satirise the world they depict.

  • Images can be more usefully and reliably read if they are part of a series or collection.

  • What is absent from an image can be as important as what is depicted.

  • Images can be read in multiple contexts:
 
  • What was their function and how has this changed?

  • What is the biography of an image over its lifetime?

  • How has it performed as a rhetorical device? Was it created at the time, or after the events it depicts?

  • What were the contemporary artistic conventions relating to particular subject matter?

  • What were the interests of the patron or client?

 

 

 

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