|
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Burke, Peter. Eyewitnessing: the uses of
images as historical evidence. London: Reaktion Books,
2001. |
Module References and Further Reading
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Annear, Robyn. Nothing but gold: the
diggers of 1852. Melbourne: Text Publishing, 1999. |
|
|
Bonyhady, Tim. The colonial earth.
Carlton South, Vic.: The Miegunyah Press, 2000. |
|
Davison, Graeme, '"A vote,
a rifle and a farm": unnatural rights and invented histories'
in The use and abuse of Australian history, St Leonards
NSW: Allen & Unwin, 2000, pp. 238-257. |
|
Downer, Christine & Phipps,
Jennifer. Victorian vision: 1834 onwards: images and
records from the National Gallery of Victoria and the State
Library of Victoria. Melbourne: National Gallery of
Victoria, 1985. |
|
Fletcher, Marion. Costume
in Australia, 1788-1901. Melbourne; Oxford University
Press, 1984. |
|
Goodman, David. Gold seeking;
Victoria and California in the 1850s. St Leonards,
NSW: Allen & Unwin, 1994. |
|
Joel, Alexandra. Best dressed:
200 years of fashion in Australia. Sydney: Collins,
1984. |
|
Maynard, Margaret. Fashioned
from penury: dress as cultural practice in colonial Australia.
Cambridge [England]; New York: Cambridge University Press,
1994. |
|
McDonald, John. Federation:
Australian art and society 1901-2001. Canberra: National
Gallery of Australia, 2001. |
|
McQueen, Humphrey. Tom Roberts.
Sydney: Pan Macmillan, 1996. |
|
Russell, Roslyn & Chubb,
Philip. One destiny!: the federation story, how Australia
became a nation. Ringwood, Vic.: Penguin, 1998. |
|
Smith, Bernard. European
vision and the South Pacific, 1768-1850. London:
Oxford University Press, 1969. |
|
Thompson, Patricia (ed.). A
lady's visit to the gold diggings of Australia in 1852-3
written on the spot by Mrs Charles Clacy. Melbourne:
Lansdowne Press, 1963, first published 1853. |
|
Twomey, Christina. 'Without
natural protectors: responses to wife desertion in gold-rush
Victoria'. Australian Historical Studies, 28, 108
(April 1997): 22-46. |
Photography, Postcards, Visual Culture, Critiques of Social Documentary
Photography
|
|
Bate, Weston, McGillivray, Euan & Nickson,
Matthew. Private lives - public heritage: family snapshots
as history. Hawthorn, Vic.: Hutchinson, 1986. |
|
|
Bertram, Alexandra & Trumble, Angas. Edwardian
Melbourne in picture postcards. Carlton South, Vic.;
The Miegunyah Press, 1995. |
|
Bolton, Richard (ed.). The
contest of meaning: critical histories of photography.
Cambridge, Mass.: MIT Press, c1989. |
|
Brilliant, Richard. Portraiture.
Cambridge, Mass.: Harvard University Press, 1991. |
|
Burgin, Victor (ed.). Thinking
photography. London : Macmillan, 1982. |
|
Curtis, James. Mind's eye,
mind's truth: FSA photography reconsidered. Philadelphia:
Temple University Press, c1989. |
|
Davidson, james & Lytle,
Mark. 'The mirror with a memory' in James West Davidson & Mark
Hamilton Lytle, After the fact: the art of historical
detection. New York: Knopf: Distributed by Random House,
c1986. |
|
Davies, Alan & Stanbury,
Peter. The mechanical eye in Australia: photography
1841-1900. Melbourne: Oxford University Press, 1985. |
|
Elkins, James. The object
stares back: on the nature of seeing. New York: Simon & Schuster,
c1996. |
|
Green-Lewis, Jennifer. Framing
the Victorians: photography and the culture of realism.
Ithaca & London: Cornell University Press, 1996. |
|
Greenwald, Maurine. 'Visualizing
Pittsburgh in the 1900s: art and photography in the service
of social reform' in Maurine W. Greenwald and Margo Anderson
(eds), Pittsburgh surveyed: social science and social
reform in the early twentieth century, Pittsburgh,
Pa.: University of Pittsburgh Press, c1996, 125-152. |
|
Hales, Peter B. Silver cities:
the photography of American urbanization, 1839-1915.
Philadelphia: Temple University Press, 1984. |
|
Hirsch, Marianne. Family
frames: photography, narrative, and postmemory. Cambridge,
Mass.: Harvard University Press, c1997. |
|
Historic Houses Trust of New
South Wales. Sydney vistas: panoramic views 1788-1995.
Sydney: Historic Houses Trust of New South Wales, 1995. |
|
Journal of Urban History 15,
3 (May 1989), issue devoted to Photography and Urban History. |
|
Koop, Stuart (ed). A small
history of photography. Fitzroy:
Centre for Contemporary Photography, 1997. |
|
Lee, Anthony W. Picturing
Chinatown: art and Orientalism in San Francisco.
Berkeley: University of California Press, 2001. |
|
Manguel, Alberto. Reading
pictures: a history of love and hate. Bloomsbury,
2000. |
|
Martin, G.H. & Francis,
David. 'The camera's eye' in Dyos, H. J. & Wolff, Michael
(eds), The Victorian city: images and realities,
London, Boston: Routledge & Kegan Paul [1973]. |
|
Mattison, David. 'In visioning
the city: urban history techniques through historical photographs'. Urban
History Review , XIII, 1 (June 1984): 43-52. |
|
Morris, Bede. Images: illusion
and reality. Canberra: Australian Academy of Science,
1986. |
|
Petro, Patrice (ed.). Fugitive
images: from photography to video. Bloomington: Indiana
University Press, c1995. |
|
Samuel, Raphael. Theatres
of memory. London; New York: Verso, 1994. |
|
Sekula, Allan. 'Reading an archive:
photography between labour and capital' in Patricia Holland,
Jo Spence, & Simon Watney (eds), Photography/politics:
two, London: Comedia Pub. Group; New York, U.S.A: Distributed
in the U.S.A. by Boyars, 1986. |
|
Sennett, Richard. The conscience
of the eye: the design and social life of cities.
New Yorl: Alfred A. Knopf, 1990. |
|
Sobieszek, Robert A. Ghost
in the shell: photography and the human soul, 1850-2000:
essays on camera portraiture. Los Angeles: Los Angeles
County Museum of Art; Cambridge, Mass: MIT Press, c1999. |
|
Solomon-Godeau, Abigail. Photography
at the dock: essays on photographic history, institutions,
and practices. Minneapolis: University of Minnesota
Press, c1991. |
|
Sontag, Susan. On photography.
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|
Spence, Jo & Holland, Patricia
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London: Virago, 1991. |
|
Stange, Maren. Symbols of
ideal life: social documentary photography in America
1890-1950. Cambridge [England]; New York: Cambridge
University Press, 1989. |
|
Stein, Sally. 'Making connections
with the camera: photography and social mobility in the
career of Jacob Riis'. Afterimage, 10, 10 (1983). |
|
Tagg, John. The burden of
representation: essays on photographies and histories.
Basingstoke, [England]: Macmillan Education, 1988. |
|
Trachtenberg, Alan. Reading
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|
Wells, Liz (ed.). Photography:
a critical introduction. London; New York: Routledge,
1997. |
Cartoons, Caricature, Satire
|
|
Arts Council of Great Britain. Cartoon
and Caricature from Hogarth to Hoffnung. London,
1962. |
|
|
Atkinson, Diane. Funny girls: cartooning
for equality. London: Penguin, 1997. |
|
Carretta, Vincent. George
III and the satirists from Hogarth to Byron. Athens
and London: University of Georgia Press, 1990. |
|
Christiansen, Peter Norman.
'Bohemian artists and the new woman: the representation
of gender identity by Australian black and white artists
during the period 1890-1908. MA Thesis, University of Melbourne,
1992. |
|
Clabburn, Anna. 'The relationship
between caricature and concepts of Australian national
identity, 1900 to the present. MA Thesis, University of
Melbourne, Department of Fine Arts, 1997. |
|
Coleman, Peter & Tanner,
Les. Cartoons of Australian history. West Melbourne:
Nelson, 1978. |
|
Cowling, Mary. The artist
as anthropologist: the representation of type and character
in Victorian art. Cambridge: Cambridge University
Press, 1989. |
|
Curtis, Lewis P. Jr.. Apes
and angels: the Irishman in Victorian caricature.
Newton Abbott: David & Charles, 1971. |
|
Donald, Diana. The age of
caricature: satirical prints in the reign of George III.
New Haven: Yale University Press, for Paul Mellon Centre,
1996. |
|
Douglas, Roy. Great nations
still enchanted: the cartoonists' vision of empire 1848-1914.
London and New York: Routledge, 1993. |
|
Fabian, Suzane (ed.) Mr.
Punch down under: a social history of the colony from
1856 to 1900 via cartoons and extracts from Melbourne
Punch. Richmond, Vic.: Greenhouse Publications, 1982. |
|
Geipel, John. The cartoon:
a short history of graphic comedy and satire. Newton
Abbot: David & Charles, 1972. |
|
Getlein, Frank & Getlein,
Dorothy. The bite of the print: satire and irony in
woodcuts, engravings, etchings, lithographs and seriagraphs.
London: H. Jenkins, 1964. |
|
Kerr, David S. Caricature
and French political culture, 1830-1848, Charles Philipon
and the illustrated press. Oxford: Clarendon Press,
2000. |
|
Klingender, F.D. (ed.) Hogarth
and English caricature. London: Transatlantic Arts
Ltd, 1946. |
|
Lindesady, Vane. It's moments
like these … cartoons behind a nation's catchcry.
Melbourne: Sun Books, 1979. |
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Lindesay, Vane. Drawing from
life: a history of the Australian Black and White Artists'
Club. State Library of New South Wales Press, 1994. |
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Lindesay, Vane. The inked-in
image: a survey of Australian comic art. Melbourne:
Heinemann, 1970. |
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Low, David. British cartoonists:
caricaturists and comic artists. London: William
Collins, 1942. |
|
Mahood, Marguerite. 'The Australian
political cartoon in Victoria and New South Wales, 1855-1901'.
MA Thesis, University of Melbourne, 1965. |
|
Mahood, Marguerite. The loaded
line: Australian political caricature, 1788-1901.
Carlton, Vic.: Melbourne University Press, 1973. |
|
Shikes, Ralph E. The indignant
eye: the artist as social critic in prints and drawings
from the fifteenth century to Picasso. Boston: Beacon
Press, 1969. |
|
Stone, Walter. 50 Years of
the newspaper cartoon in Australia 1922-1973. The
News in association with the Art Gallery of South Australian
Adelaide, 1973. |
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Wechsler, Judith. A human
comedy, physiognomy and caricature in 19th century Paris.
London: Thames and Hudson, 1982. |
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